Nanosampler 2.0 – a major upgrade to the Nanosampler instrument which brings new features, such as three playback modes (Classic, 1-shot and Slice), ZTX time stretching, beat slicing with Randomize and Auto Randomize, Repeat, Reverse, and a complete rewrite of the user interface.This lets users immediately recall any audio or MIDI material they recently played. The software always listens to both MIDI and audio input sources, capturing everything even when not recording. Audio Retrospective Record – DP11 adds Retrospective Recording of audio.MX4 and DP’s other included synth plug-ins are MPE-enabled, so users can get started with their MPE controller right away. A new Scale tool lets users increase or reduce the amount of expression. Users can view and edit each controller in a separate lane using DP’s continuous controller (CC) editing tools. After recording a range of gestures (strike, pressure, slide, glide, and lift), users see a single stream of normal MIDI notes with each having its own note-specific controllers superimposed on top of each note for editing in DP’s piano roll. Support for MIDI Polyphonic Expression (MPE) and Per-Note CCs – in DP 11, users can record multi-channel output from MPE controllers and regular MIDI notes with encapsulated MPE expression data.DP’s Graphic Editor provides clear, intuitive editing of articulations in separate lanes. In addition, each articulation can trigger multiple forms of output, from on-velocity changes to note stacks, providing support for even the most advanced orchestra libraries. Because notes remember their symbol, users can instantly switch maps at any time (to a different sound library, for example). Symbols remain connected to their orchestra library sounds, so that what you see is what you hear.
Each articulation can be mapped to a symbol, stem ornament, alternate notehead, or custom text (such as con sordino) in DP’s QuickScribe notation editor. Articulation Maps – create and import articulation maps to harness the expression possibilities of today’s advanced orchestral sound libraries.There is lots to go through, so please excuse me as I reach at my bullet points for this one:
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